There are no two ways about this – X-Men: Dark Phoenix is having a bad time at the box office. Many websites are reporting on this and yep, it is true, the movie is not getting bums on seats.

Since it’s debut last Wednesday, Dark Phoenix has made around $137 million at the worldwide box office. This might not sound too bad, but it’s really not great for an X-Men movie – one of the most lucrative comic book franchises in cinema.

Personally, I liked Dark Phoenix and think it deserves to be doing better than it is, but I understand why it is struggling. And not one of the reasons why it is struggling has anything to do with the quality of the movie.


General apathy

Image: ©20th Century Fox/Marvel/Disney

OK, let’s deal with the first major problem that Dark Phoenix is facing right now – apathy. I’m not talking about super hero fatigue – although there is always an argument for that – what I’m talking about is a general apathy towards this particular movie.

Why are people so apathetic?

When Dark Phoenix went into production, the film was planned to be yet another entry in Fox’s sprawling X-Men movie series. A movie series that was set to expand further with The New Mutants, Gambit, Deadpool 3 and various other productions that were either rumoured or in production.

However, shortly after Dark Phoenix went into production news broke that Disney was planning on buying Fox. This news changed EVERYTHING.

While on the surface Fox maintained its commitment to everything X (at least when talking to the press), film fans and Marvelites knew that the X-Men movie series’ days were numbered. If Disney was to buy Fox, it was pretty much guaranteed the Mouse House would cancel the existing X-movies and reboot the franchise.

From this moment forward, while the Disney/Fox deal was on the table the interest in Fox’s X-Men series began to decrease and as the situation progressed, it only got worse. If a reboot was on the horizon, why would anyone be interested in a soon to be redundant series?

For the X-Men series to survive it needed the deal to fall through.

The deal did not fall through.

It was in that moment that the X-series died.

For years, Marvel fans (aka the core fanbase of these films) had waited patiently for Marvel Studios to regain the rights to the X-Men, so as soon as the Disney/Fox deal became official fans got their wish. In an instant they stopped caring about the X-Men films because they knew something else was in the pipeline.


Been there, done that

Image: ©20th Century Fox/Marvel/Disney

Apathy had set in and there was not really any way to change it, but it wasn’t the only issue for Dark Phoenix, there was also the pesky problem of revisiting old material. If fans already viewed the soon-to-be snuffed out X-series as redundant, then they were unlikely to get excited about a movie which effectively remakes X-Men: The Last Stand.

Dark Phoenix takes some of the ideas and story beats from The Last Stand and reworks them to create a new story. However, the backbone of this tale is a remake of a previous entry.

It’s no secret that Dark Phoenix director Simon Kinberg had wanted to correct mistakes that were made in the The Last Stand – a movie he co-wrote – but by revisiting similar material it simply created disinterest in the fan base. Many fans didn’t like The Last Stand and they had little desire to watch the highlights repackaged with a new cast.


Release date

Image: ©20th Century Fox/Marvel/Disney

Those who have watched Dark Phoenix will know that this film is not a summer blockbuster. Dark Phoenix is a stripped back super hero tale, which places a greater focus on a small collection of heroes, rather than countless mutants (basically the opposite of Fox’s standard approach to X-Men movies).

So if Dark Phoenix isn’t a summer blockbuster, then what the heck is it doing opening in June? In June audiences are expecting huge spectacle, loud noises and pulse-pounding popcorn-infused action – not miserable movies!

Well, the truth is, Dark Phoenix was never supposed to open in June. The movie was originally scheduled to make its debut in November 2018 – a date that would have been more suited to this sombre tale.

When it became clear that reshoots and effects work still needed to take place the film was shifted to a new release date – February 2019. Once again, this would have worked perfect for the tone of the film.

Unfortunately, mere days after the first trailer for the movie dropped – stating quite clearly the film’s release date – Dark Phoenix was shifted once again, this time to June.

At the time of it’s reshuffling, the official reason for its move was to give it better exposure, particularly to the rather lucrative Chinese market. However, in a recent piece by The Hollywood Reporter it has been suggested that Dark Phoenix was forced to move to June to make way for Alita: Battle Angel.

Director James Cameron wanted Alita to open after Christmas – to avoid opening against Aquaman and Bumblebee – and asked Fox for the February date. Fox obliged and bumped Dark Phoenix.

Moving Dark Phoenix was a mistake. A June opening was not right for this movie, plus the constant rescheduling pissed off fans.

I was one of those fans.

When I posted news about the rescheduling back in September 2018, I said:

“Apologies for the negativity in this post, but the constant release date changes with the X-Men movies is getting really frustrating – especially as we know these are the last X-Men films from Fox. The fact that the trailer was only released two days ago and clearly stated it was arriving on February 14th 2019 is also really annoying.”

Moving the film once, was bad. Moving it twice was toxic.

If fans were already losing interest in the series due to the Disney/Fox situation, dragging out its release did not help. Speaking of which…


The New Mutants

Image: ©20th Century Fox/Marvel/Disney

Dark Phoenix wasn’t the only X-Men movie with scheduling problems; ladies and gentlemen, I also bring your attention to The New Mutants.

For those who have completely missed this one, The New Mutants is an X-Men spin-off movie that should have appeared in cinemas in April 2018. To date, it still hasn’t seen the light of day.

The trailer has been released, posters have appeared in multiplexes, and many websites have devoted countless words to this movie, but Fox/Disney currently has it locked away in a vault. It has been scheduled and rescheduled so many times that most people (myself included) have pretty much written it off.

The no-show of this movie has created some negative press, with many suggesting Fox/Disney have a huge bomb on their hands. This situation – as well as the rescheduling of Dark Phoenix – has simply not created goodwill amongst moviegoers.


The Endgame effect

Image: ©Marvel Studios/Disney

It happened in 2018 and it has happened again this year – the release of Marvel Studios’ BIG Avengers movie has impacted the box office of other movies.

Godzilla: King of the Monsters has struggled in the wake of Endgame; Detective Pikachu should have done better; and Dark Phoenix has had a bad time of it. People are still going to the cinema to watch Endgame, even though it opened in April.


Confusing marketing

Image: ©20th Century Fox/Marvel/Disney

There’s also the other Endgame effect, which is perhaps a bit more specific to Dark Phoenix. Or rather, to the way in which Dark Phoenix was marketed.

When the marketing machine began for Endgame, the film was promoted as the culmination of 11 years of cinema. It’s arrival was seen as the end of an era – must see cinema if you will.

When the marketing began for Dark Phoenix, the film was promoted as the next chapter in the saga, rather than a finale. It was only in recent weeks that the film was being touted as the end of the X-Men movies.

Dark Phoenix should have been pushed as the finale to 19 years of X-Men movies. Unfortunately, the last minute scramble to convey this message got lost in the mix, leaving general audiences in the dark about the significance of this entry.

It also didn’t help that early on the movie was being pushed as Dark Phoenix, rather than X-Men: Dark Phoenix. So the film went from distancing itself from the X-Men brand – presumably as a response to the negative reception of X-Men: Apocalypse – to then attempting to remind audiences this is an X-Men movie.


To be fair, the marketing for the movie was a casualty of the Disney/Fox situation. Dark Phoenix couldn’t be marketed as THE END until the Disney deal was signed, yet leaving its fate until the 11th hour was a bad move.


Is this the end?

So, if Dark Phoenix continues to under perform at the box office is this really bad news for the X-Men? Will it kill any chance of seeing Marvel’s mighty mutants in future big screen adventures?


If Dark Phoenix continues to under perform it will mean nothing in the grand scheme of things.

Marvel Studios WILL reboot the movie series and incorporate it into the Marvel Cinematic Universe.

There WILL be many more X-Men movies.

The X-Men WILL return.

The truth is, by the time Dark Phoenix hit cinema screens it was already decided that the X-Men were going to be rebooted. Regardless of the film’s financial performance, this series was ending here and a new path was already being forged.

Dark Phoenix‘s struggles are frustrating, especially for those involved with the movie’s production, yet ultimately they will not have a lasting effect. This is merely a wobble in a series that is already over.

As far as Disney is concerned, the release of Dark Phoenix is simply a formality. This film needed to be released so that work could begin on the future of the X-series and the studio is not worried about whether this movie flops or not.

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